Trio House Press
publishing distinct voices in poetry
since 2012
Trio House Press Workshops
WORKSHOP WITH HANNAH GAMBLE

It Is / I am: Overcoming the Anxiety of Getting Started


In this workshop, participants will read poems by Christopher Smart, Mark Strand, Chelsey Minnis, and Nikki Giovanni. We'll discuss anaphora, ars poeticas, and taking inspiration from one line of another author's writing as ways to overcome the overwhelming task of starting a poem.


Online January Workshop: Hannah Gamble

Sunday, January 23rd       5:00-7:30 pm EST

Sunday, January 30th       5:00-7:30 pm EST

Sunday, February 6th        5:00-7:30 pm EST




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WORKSHOP WITH DAVID GROFF

Writing the “After” Poem: Taking Inspiration from Your Poet-Forerunners


Our poems exist in the context of poems already written. In this workshop, we’ll join the tradition of poets responding to the work of poets who came before us. We’ll write and discuss our own “after” poems—poems that recast, revise, renew, reimagine, and maybe even reject modern and contemporary works that are part of our personal canon. Our result will be poems that transcend imitation, homage, and critique to become truly original, truly our own.

 

Online February Workshop: David Groff

Sunday, February 13th       5:00-7:30 pm EST

Sunday, February 20th      5:00-7:30 pm EST

Sunday, February 27th      5:00-7:30 pm EST


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WORKSHOP WITH ARTRESS BETHANY WHITE

Getting Crafty With It: The Art of Rendering Story In Verse

 

This investigatory poetry workshop will focus on revising a thematically connected set of poems into a linked narrative using form or blank verse. We will discuss strategies for manuscript sequencing and journal submissions. As a bonus, workshop participants will also receive a 30-minute one-on-one to polish poems for near-term submission 

 

Online March Workshop: Artress Bethany White

Sunday, March 6th 5:00-7:30 pm EST

Sunday, March 13th 5:00-7:30 pm EST

Sunday, March 20th          5:00-7:30 pm EST


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General Information About Our Workshops
Hone your crafting strategies with Trio House Press online writing workshops. All Trio House workshops have a maximum of nine workshop participants. This limited space and intensive workshop environment fosters an individualized approach to the poetry workshop experience.

Upload your bio and up to three poems for consideration through Submittable below with no fee to you. You will be notified via email or telephone of your enrollment status. 

Cost for all workshops is $300 and an invoice is emailed to you to confirm your participation. Your payment and participation in Trio House Press workshops allows Trio House Press to continue its mission of publishing three annual full-length collections of poetry and supports The Banyan Review, our online international journal.
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Poetry Now Program

In order to promote the understanding and appreciation of poetry, our Poetry Now program provides educational materials and resources for use within classrooms, book clubs, or for individual usage.  Utilize our poetry lesson plans or poetry prompts.

 

Our  "Discussion Links" section provides expertly developed lesson plans that encourage analysis, reflection and discussion about poems published by Trio House Press as well as influential public domain works.  These plans can be reproduced for classroom and personal use without permission but are not permitted to be sold or redistributed in any form.

 

Our "Write It" section encourages the writing process by providing prompts and writing exercises developed in conjunction with our Trio House Press poetry and other influential public domain works. These prompts and exercises can be reproduced for classroom and personal use without permission but are not permitted to be sold or redistributed in any form.

Discussion Links: Poetry Lesson Plans

 

Literary Allusions: Tennyson's Dialogue with Catullus  (by Steven Riel)    CLICK HERE

 

Soldiers' Perspectives on War: Can Point of View Convince?  (by Steven Riel) CLICK HERE

 

Orchestrating the Longish Meditative Lyric: Kinnell's "The Seekonk Woods"  (by Steven Riel) CLICK HERE

 

Louise Bogan: Metaphors  (by Steven Riel)  CLICK HERE


Matt Mauch's If You're Lucky Is a Theory of Mine  CLICK HERE 


Hyacinths and Biscuits in David Groff's Clay   (by Stephen Cramer) CLICK HERE


Shifting Diction in Iris Jamahl Dunkle's Gold Passage  (by Stephen Cramer)  CLICK HERE


The Use of Sensory Details in Sandy Longhorn's  The Alchemy of My Mortal Form   (by Stephen Cramer)

CLICK HERE


An Idea Caught in the Act, in Bradford Tice's What the Night Numbered  (by Stephen Cramer) CLICK HERE


"Some Answers I Wrote on a Long Term Disability Questionnaire," by Madeleine Barnes  CLICK HERE(by Sarah Dumitrascu)


“Dreamscape with Embryo” and The Art of Apostrophe, by Madeleine Barnes CLICK HERE (by Sarah Dumistrascu)


Your Immaculate Heart by Annmarie O’Connell CLICK HERE (by Harper Warner)


Questioning the Divisions of Language in Dark Tussock Moth by Mary Cisper CLICK HERE(by Rachel Whitesell)


A multitude of voices in Threed, This Road Not Damascus by Tamara J. Madison CLICK HERE (by Sarah Dumitrascu)


Tell it to me backwards, Threed, This Road Not Damascus by Tamara J. Madison CLICK HERE (by Sarah Dumitrascu)


Sound in David Groff's Clay CLICK HERE (by Hadley Hendrix) 

(interview transcript CLICK HERE)



 

Write It: Poetry Prompts

 

Using inspiration from another poet.  CLICK HERE

 

Using a deck of cards.  CLICK HERE